Tracklist
1. Symphony No.1 in C minor, Op.68 - 1. Un poco sostenuto - Allegro - Meno allegro (13:51)
2. Symphony No.1 in C minor, Op.68 - 2. Andante sostenuto (9:17)
3. Symphony No.1 in C minor, Op.68 - 3. Un poco allegretto e grazioso (4:55)
4. Symphony No.1 in C minor, Op.68 - 4. Adagio - Piu andante - Allegro non troppo, ma con brio - Piu allegro (18:03)
5. Symphony No.1 in B flat, Op.38 -

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D e B T i s S l a V 3 r Y S T u P i D
DuBi0uSlY EnDoWs YoU WiTh
Herbert_Von_Karajan-Brahms_Symphonie_No_1_-_Schumann_Symphonie_No_1
ARTiST.... Herbert von Karajan
TiTLE..... Brahms: Symphonie No. 1 / Schumann:
LABEL..... DG
GENRE..... Classical
RiP.DATE.. 2011-07-06
STOREDATE. 2010-00-00
SOURCE.... CD
QUALiTY... 223 kbps / 4410kHz / Joint Stereo
TRACKS.... 8 / 76:30
SIZE...... 128.30 MB
RIPPER.... EAC Secure with LAME 3.98.4
URL.......
NR. TRACKNAME TiME
1 Symphony No.1 in C minor, Op.68 - 1. Un 13:51
poco sostenuto - Allegro - Meno allegro
2 Symphony No.1 in C minor, Op.68 - 2. 9:17
Andante sostenuto
3 Symphony No.1 in C minor, Op.68 - 3. Un 4:55
poco allegretto e grazioso
4 Symphony No.1 in C minor, Op.68 - 4. 18:03
Adagio - Piu andante - Allegro non troppo,
ma con brio - Piu allegro
5 Symphony No.1 in B flat, Op.38 - Spring 10:46
- 1. Andante un poco maestoso - Allegro
molto vivace
6 Symphony No.1 in B flat, Op.38 - Spring 6:19
- 2. Larghetto
7 Symphony No.1 in B flat, Op.38 - Spring 5:52
- 3. Scherzo (Molto vivace)
8 Symphony No.1 in B flat, Op.38 - Spring 7:27
- 4. Allegro animato e grazioso
---------------------------------------------------------
TOTAL TiME: 76:30 MIN
TOTAL SIZE: 128.30 MB
RELEASE NOTES
First, I would like to say a few words in case
Mr. Hurwitz is by chance reading this. Hasty,
extreme words clothed as professional review do
no one justice. Clearly he hates these
performances, even refering to the Schumann as
possibly the worst in history. Really, cant
everyone here think of performances that are
vastly inferior to these? Every reviewer should
distrust both excessive praise and derision,
prefering instead a more objective approach,
simply listing the positives and negatives and
allowing the reader to make of it what he will (I
feel the reviewer should assume the reader to be
more intelligent than they themselves are). I
cannot pretend to be perfectly objective;
certainly I have all the faults Ive stated, as
does every human being, but let me make an
attempt here.
Certainly this music is played with great passion
and sincerity. Although in the Brahms Karajan is
much more restrained than Furtwangler in his use
of tempo modulation, he taps into the same
atmosphere, very dark, introspective, with every
gesture full of meaning. The interpretation of
the Schumann is by contrast extroverted and
intense, especially for the supposedly cold
Karajan. To both the Berliners give their deep,
rich sound that is unique and instantly
identifiable (its hard to believe there was a
time when you could tell the great orchestras
apart). On this line and as a side note, I dont
really understand Mr. Hurwitzs comments about
the winds being inaudible. I was able to hear
them very clearly, and I have perfectly ordinary
hearing. To sum up, both are beautiful,
passionate, and for me very satisfactory.
Thoroughly recommended.
QUOTES
Is it not strange that desire should so many
years outlive performance?
-- William Shakespeare
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