Tracklist
1. Fidelio op.72 - Overture (7:15)
2. Fidelio op.72 / Act 1 -

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D e B T i s S l a V 3 r Y S T u P i D
DuBi0uSlY EnDoWs YoU WiTh
Leonard_Bernstein-Beethoven_Fidelio-CN_Import-2CD-2010-DeBT
ARTiST.... Leonard Bernstein
TiTLE..... Beethoven: Fidelio
LABEL..... DG
GENRE..... Opera
RiP.DATE.. 2011-07-12
STOREDATE. 2010-00-00
SOURCE.... CD
QUALiTY... 230 kbps / 4410kHz / Joint Stereo
TRACKS.... 29 / 134:29
SIZE...... 228.25 MB
RIPPER.... EAC Secure with LAME 3.98.4
URL.......
NR. TRACKNAME TiME
Disc 1/2
--------
1 Wiener Philharmoniker - Fidelio op.72 - 7:14
Overture
2 Adolfo Dallapozza - Fidelio op.72 / Act 1 4:55
- Jetzt, Schatzchen, jetzt sind wir
allein
3 Lucia Popp - Fidelio op.72 / Act 1 - Armer 0:16
Jaquino, ich war ihm sonst recht gut
4 Lucia Popp - Fidelio op.72 / Act 1 - O 4:18
war ich schon mit dir vereint
5 Manfred Jungwirth - Fidelio op.72 / Act 1 0:57
- Jaquino! / Ja, Meister Rocco?
6 Lucia Popp - Fidelio op.72 / Act 1 - Mir 5:03
ist so wunderbar
7 Manfred Jungwirth - Fidelio op.72 / Act 1 0:41
- Hore, Fidelio
8 Manfred Jungwirth - Fidelio op.72 / Act 1 2:46
- Hat man nicht auch Gold beineben
9 Manfred Jungwirth - Fidelio op.72 / Act 1 1:27
- Ihr habt recht, Vater Rocco
10 Manfred Jungwirth - Fidelio op.72 / Act 1 6:21
- Gut Sohnchen, gut
11 Wiener Philharmoniker - Fidelio op.72 / 2:09
Act 1 - Marsch
12 Manfred Jungwirth - Fidelio op.72 / Act 1 0:44
- Drei Schildwachen auf den Wall
13 Hans Sotin - Fidelio op.72 / Act 1 - Ha! 3:16
Welch ein Augenblick!
14 Hans Sotin - Fidelio op.72 / Act 1 - 0:23
Hauptmann! Besteigen Sie mit einem
Trompeter...
15 Hans Sotin - Fidelio op.72 / Act 1 - 4:59
Jetzt, Alter, jetzt hat es Eile!
16 Gundula Janowitz - Fidelio op.72 / Act 1 - 8:10
Abscheulicher! Wo eilst du hin?
17 Adolfo Dallapozza - Fidelio op.72 / Act 1 0:40
- Marzelline! / Nein, ich will
nicht...
18 Chor der Wiener Staatsoper - Fidelio op.72 7:15
/ Act 1 - O welche Lust, in freier Luft
den Atem leicht zu heben!
19 Manfred Jungwirth - Fidelio op.72 / Act 1 7:11
- Nun sprecht, wie ..-Ach Vater,
eilt-Verwegner ..
20 Manfred Jungwirth - Fidelio op.72 / Act 1 4:02
- Leb wohl, du warmes Sonnenlicht
---------------------------------------------------------
Disc 2/2
--------
1 Ren Kollo - Fidelio op.72 / Act 2 - 11:28
Gott! Welch Dunkel hier! - In des Lebens
Frhlingstagen
2 Manfred Jungwirth - Fidelio op.72 / Act 2 6:04
- Wie kalt ist es in diesem
unterirdischen Gewolbe - Nur hurtig
fort, nur frisch gegraben
3 Gundula Janowitz - Fidelio op.72 / Act 2 - 1:16
Er erwacht
4 Ren Kollo - Fidelio op.72 / Act 2 - 6:25
Euch werde Lohn in bessern Welten
5 Gundula Janowitz - Fidelio op.72 / Act 2 - 0:31
Alles ist bereit
6 Hans Sotin - Fidelio op.72 / Act 2 - Er 4:57
sterbe! Doch er soll erst wissen - Vater
Rocco! Der Herr Minister ist angekommen -
Es schlagt der Rache Stunde
7 Gundula Janowitz - Fidelio op.72 / Act 2 - 2:43
O namenlose Freude
8 Wiener Philharmoniker - Overture Leonore 15:01
No.3, Op. 72a
9 Dietrich Fischer-Dieskau - Fidelio op.72 / 13:17
Act 2 - Heil sei dem Tag
---------------------------------------------------------
TOTAL TiME: 134:29MIN
TOTAL SIZE: 228.25 MB
RELEASE NOTES
Bernsteins is the performance which has the idea
of letting Leonores and Florestans duet fade
into the Overture, and the finales C major
catharsis burst out of it. It is a brilliant
coup, typical of Bernstein as a man of the
theatre, and it epitomizes his instinct for tempo
relationships and for the harmonic breathing of
the entire score...And only Bernstein has scooped
Fischer-Dieskau for a Don Fernando to bring true
light out of darkness.
With Dallapozza and Popp, Jacquino and Marzelline
do spring to larger life...and Manfred
Jungwirths fatherly, Austrian Rocco epitomizes
this recordings imaginative casting.
The principals, too, win hands down. Hans Sotins
Pizarro unleashes a real reign of terror at Ha!
welch ein Augenblick...Gundula Janowitzs
Leonore (helped, again, by the impetus of
Bernsteins tempo in Komm, Hoffnung) has all
the power and pain of Soltis Behrens... Rene
Kollo builds and sustains an extraordinary
crescendo of agony out of a Gott! which
starts as a long, distant howl of sub-human
torment. That, perhaps, says it all.
QUOTES
Composers shouldnt think too much - it
interferes with their plagiarism.
-- Howard Dietz
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