Album: Mozart: Requiem
Year: 2010
Gener Classical
Bitrate: 226 kbps
Tracks: 14
Size: 95.16 MB
Relase Name: Leonard_Bernstein-Mozart_Requiem-CN_Import-2010-DeBT
Relase Group: DeBT
Leonard Bernstein, a unique source of creative energy in America’s music throughout his entire adult lifetime, was born in Lawrence, Massachusetts, on August 25, 1918. He was given piano lessons as a boy and had his pre-college education at the Garrison and Boston Latin schools. Going on to Harvard University, he worked with Walter Piston, Edward Burlingame Hill, and A. Tillman Merritt, among others. By the time of his graduation, in 1939, he had made an unofficial conducting debut (his own incidental music to The Birds), and directed and performed in Marc Blitzstein’s The Cradle Will Rock.
Release Date: 1970-01-01
Link: http://www.last.fm/music/Leonard Bernstein/Mozart Requiem
Tracklist
1. Requiem in D minor, K.626 - Instr. Franz Beyer (Ed. Kunzelmann) - Requiem (Introitus) (6:39)
2. Requiem in D minor, K.626 - Instr. Franz Beyer (Ed. Kunzelmann) - Kyrie (2:44)
3. Requiem in D minor, K.626 - Instr. Franz Beyer (Ed. Kunzelmann) - Dies irae (Sequenz) (1:44)
4. Requiem in D minor, K.626 - Instr. Franz Beyer (Ed. Kunzelmann) - Tuba mirum (Sequenz) (4:30)
5. Requiem in D minor, K.626 - Instr. Franz Beyer (Ed. Kunzelmann) - Rex tremendae (Sequenz) (2:42)
6. Requiem in D minor, K.626 - Instr. Franz Beyer (Ed. Kunzelmann) - Recordare (Sequenz) (5:43)
7. Requiem in D minor, K.626 - Instr. Franz Beyer (Ed. Kunzelmann) - Confutatis (Sequenz) (2:22)
8. Requiem in D minor, K.626 - Instr. Franz Beyer (Ed. Kunzelmann) - Lacrimosa (Sequenz) (5:49)
9. Requiem in D minor, K.626 - Instr. Franz Beyer (Ed. Kunzelmann) - Domine Jesu (Offertorium) (3:30)
10. Requiem in D minor, K.626 - Instr. Franz Beyer (Ed. Kunzelmann) - Hostias (Offertorium) (4:04)
11. Requiem in D minor, K.626 - Instr. Franz Beyer (Ed. Kunzelmann) - Sanctus (1:51)
12. Requiem in D minor, K.626 - Instr. Franz Beyer (Ed. Kunzelmann) - Benedictus (5:21)
13. Requiem in D minor, K.626 - Instr. Franz Beyer (Ed. Kunzelmann) - Agnus Dei (4:54)
14. Requiem in D minor, K.626 - Instr. Franz Beyer (Ed. Kunzelmann) - Lux aeterna (Communio) (6:51)
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D e B T i s S l a V 3 r Y S T u P i D
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Leonard_Bernstein-Mozart_Requiem-CN_Import-2010-DeBT
ARTiST.... Leonard Bernstein
TiTLE..... Mozart: Requiem
LABEL..... DG
GENRE..... Classical
RiP.DATE.. 2011-07-08
STOREDATE. 2010-00-00
SOURCE.... CD
QUALiTY... 226 kbps / 4410kHz / Joint Stereo
TRACKS.... 14 / 58:40
SIZE...... 99.75 MB
RIPPER.... EAC Secure with LAME 3.98.4
URL.......
NR. TRACKNAME TiME
1 Requiem in D minor, K.626 - Instr. Franz 6:38
Beyer (Ed. Kunzelmann) - Requiem
(Introitus)
2 Requiem in D minor, K.626 - Instr. Franz 2:44
Beyer (Ed. Kunzelmann) - Kyrie
3 Requiem in D minor, K.626 - Instr. Franz 1:43
Beyer (Ed. Kunzelmann) - Dies irae
(Sequenz)
4 Requiem in D minor, K.626 - Instr. Franz 4:30
Beyer (Ed. Kunzelmann) - Tuba mirum
(Sequenz)
5 Requiem in D minor, K.626 - Instr. Franz 2:42
Beyer (Ed. Kunzelmann) - Rex tremendae
(Sequenz)
6 Requiem in D minor, K.626 - Instr. Franz 5:43
Beyer (Ed. Kunzelmann) - Recordare
(Sequenz)
7 Requiem in D minor, K.626 - Instr. Franz 2:21
Beyer (Ed. Kunzelmann) - Confutatis
(Sequenz)
8 Requiem in D minor, K.626 - Instr. Franz 5:49
Beyer (Ed. Kunzelmann) - Lacrimosa
(Sequenz)
9 Requiem in D minor, K.626 - Instr. Franz 3:29
Beyer (Ed. Kunzelmann) - Domine Jesu
(Offertorium)
10 Requiem in D minor, K.626 - Instr. Franz 4:04
Beyer (Ed. Kunzelmann) - Hostias
(Offertorium)
11 Requiem in D minor, K.626 - Instr. Franz 1:51
Beyer (Ed. Kunzelmann) - Sanctus
12 Requiem in D minor, K.626 - Instr. Franz 5:21
Beyer (Ed. Kunzelmann) - Benedictus
13 Requiem in D minor, K.626 - Instr. Franz 4:54
Beyer (Ed. Kunzelmann) - Agnus Dei
14 Requiem in D minor, K.626 - Instr. Franz 6:51
Beyer (Ed. Kunzelmann) - Lux aeterna
(Communio)
---------------------------------------------------------
TOTAL TiME: 58:40 MIN
TOTAL SIZE: 99.75 MB
RELEASE NOTES
Mozarts requiem mass is one of the most sad,
yearning, powerful pieces of music ever written.
In this particular performance, Bernstein
conducts in typical fashion, bringing power and
emotion to this incredible Mozart masterpiece. If
you want a great performance that draws out all
the intense feelings of anxiety, depression, and
fear from this piece, then this recording is for
you. It is definitely one of my favorites.
Unfortunately two flaws, which are important in
my opinion, prevent me from giving this recording
5-stars. First off, the voices are too loud, so
loud that at some points the orchestra is almost
obscured. Sure, the voices are the central focus
of the piece, but the orchestral score is
essential for setting the mood, and a few times
the chorus is just too overpowering. Second, the
tempos are a bit sluggish, probably not as Mozart
would have wanted. I am one who personally
prefers quicker tempos for music of the classical
period, because it gives it a more authentic
flair. This is otherwise a great recording, but
for other great ones also try one of Karajans
and the new one from teldec and the Boston
Baroque.
QUOTES
Love all, trust a few, do wrong to none.
-- William Shakespeare
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